Film Diary.

 

Watched a couple films:

*

- Your place or mine? (2023).

A slim romantic comedy, somewhat the textbook definition of "fluff". Delivers more or less what it promises with no further ambition. Thus, easy to watch and even easier to forget.

**

- Now you see me (2013).

Four stage magicians stage a series of international heists, drawing the attention of several agencies bent on stopping them. Very entertaining thriller that, like its leads, knows the importance of a good spectacle and how to use misdiection. Slim as well, but quite entertaining.

***

Looking

 *

- Looking: the movie (2016. Dir. Andrew Haigh).

Roughly one year after running away from a disastrous relationship, Patrick comes back to San Francisco for a wedding --and to finally face the consequences of his own mistakes. There may well be a light at the end of the tunnel...

Conclusion to the notable gay tv show, essentially tying up all loose ends. A very satisfying ending to the series, if naturally difficult to follow as a separate movie (really it serves as the third season). Nearly the entire cast returns, and manages to make it feel as if not a day had passed since the last broadcast episode.

In sort, recommended alongside the show itself --one of the most thought-provoking gay series I've seen yet.

**

Film (and tv) diary.

 Some stuff I watched recently:

*
- Mortal Kombat Legends: Scorpion's revenge.

- Mortal Kombat Legends: Battle of the realms.

- Mortal Kombat (2021).

Assorted animation and live-action adaptations of the infamous video-game franchise. And anybody who's played any of the games knows these are at their best when they embrace how cheesy and silly the whole thing is. Same here, then: All of these work best when they stop pretending to be a serious story and merely have fun with the over-the-top violence and (literally) outlandish scenarios. Thus: Good, mindless fun.

**

- Venom: Let there be carnage.

Likewise for superhero movies: The best ones are the ones that won't take themselves too seriously and merely have fun. This, then is one of the better exampled, particularly for letting the subtext of the first film pretty much become text. A gleefully entertainin romp that requires you to sit back, not think about things too hard and just enjoy the action fest that is also essentially a gay romantic comedy.

***

- Looking (2 seasons).

This meanwhile is something else --a gay tv show that is quite possibly the most "quiet", low-key I've seen yet. The life of three gay friends in San Francisco told in whispers rather than shouts. In other words, a very intriguing show, followed by a movie that served as the conclusion. More than worth a watch.

****

Film Diary.

 Some movies I've been able to watch recently (...ish).

Animated:

- Wonder Woman (2009).

Fairly decent early foray into having solo movies for Wonder Woman. Better than the latter "Bloodlines" --but the live-action ones were better, and this one suffers from a wildly uneven script (you can practically hear the two credited story writers fencing over the tone). Overall entertaining but missing something.  

- Teen Titans: The Judas Contract (2017).

Loose adaptation of the infamous comic book arc. So-so, not nearly as fun as the version from the Teen Titans cartoon. The updated cast and setting both feel rather underused, too.

- Justice League Dark: Apokolips war (2020).

This one is just plan BAD. Quite gratuitously gory and grim, to the point that sails way past self-parody and into "just plain sad" territory.

- Freedom Fighters: The Ray (2017 - 2018).

Perhaps the only animated DC superhero movie to star a gay lead. Released both as movie and as mini-series, this is quite worthy of a watch --a very rare good superhero yarn released in the current century.

- Teen Titans Go & DC Superhero Girls: Mayhem in the multiverse (2022).

Essentially the movie of the underrated tv show "DC Superhero Girls" (second version that is) disguised as a crossover film. Surprisingly fun and well-written, definitely recommended.   

Live-action (and gay):

- The Prom (2020).

Film adaptation of the stage musical, itself loosely based on a real-life anecdote. Surprisingly good, if overlong musical. Worth a watch for the powerhouse performance of lead Jo Ellen Pellman and a couple suprisingly touching songs.

- Behind the candelabra (2013).

Biopic about Liberace, told from the POV of his boytoy of ten years (Scott Thorson, whose memoir is the basis for this film). Tremendously underrated and more than worth a few looks.

*